North America’s finest Post-Black Metal band returns with another brilliantly melancholic and crushing release titled “Earth Will Shed Its Skin”. Featuring six tracks and exactly 42 minutes of misery-inducing music, the band further hones their trade delivering a masterful mixture of melancholy and aggression, paired with bleak atmospherics. If you liked the band’s earlier efforts, this release will be right up your alley as it is more refined and yet maintains the band’s core sound.

Opening with the mellow “Forward”, the band sets a very moody and engaging tempo that is both aggressive and yet catchy, thanks to its weeping guitars and atmospherics. As “Under the Weight of a Billion Souls”, we get additional catchiness mixed in with intricate bass guitar lines, shoegazey passages, and crafty vocal arrangements. The band’s sound is quite dynamic as it weaves back and forth between fast and punishing to introspective and melancholic, as we can hear in pieces like “The Long Rope” and “What Desperate Looks Like”.

Unleashing somber waves of catchiness and a very engaging vibe, today we have Grave Pleasures and their latest opus “Plagueboys”. Featuring a very unique mixture of Post-Punk with some darkness to it, and even some elements of Surf/Indie Rock, this band has been captivating audiences for nearly a decade now (with this name), and they just keep getting better and better. If you are looking for something ‘slow’, dark, mysterious, and non-Metal, this release will be to your liking.

Starting strong with the memorable “Disintegration Girl”, we get that gloomy signature vibe from the band, particularly when Mat McNerney’s signature vocals come out. The playful interplay between Juho Vanhanen lead guitars and Valtteri Arino dominant bass guitar line is another strength from this band, making sounds like “Heart Like A Slaughterhouse”, “When The Shooting's Done”, and “High On Annihilation”, just extremely catchy and very diverse.

Featuring a pummeling intensity, today we have International outfit Outlaw and their third full-length release “Reaching Beyond Assiah”. With a huge Dissection/Thulcandra vibe, this band delivers seven memorable anthems that clock in at around 45 minutes. Filled with melody and explosiveness, this release is certainly for Black Metal fans that want to be headbanging for almost an hour straight.

Opening with the blistering intensity of “Bliss of Soul”, we get a nice balanced onslaught of melodic riffs and a hectic tempo. The Dissection worship starts with the epic “To Burn This World And Dissolve The Flesh”, a track filled with very familiar sounding riffs, but nicely arranged to fit the band’s relentless style. We particularly enjoyed the lead guitars in the aforementioned track and other melodic standouts like “Beyond The Realms of God” and “The Unending Night”.

Gladly surprising everybody about a comeback a few years back, Austere returns with a brilliantly hypnotic and demoralizing release with “Corrosion of Hearts”. Featuring four tracks and clocking in at 46 minutes, this release is everything that any fan of the band could have expected, and then some. As one of the best outfits of the Depressive Black Metal movement, their mid 2000’s “Withering Illusions and Desolation” release is soul crushing, and this release shows they didn’t skip a beat.

Opening with “Sullen”, this track was premiered during their first live shows in 2022 at Dark Bombastic Evening and Prophecy Fest. For nearly 12 minutes we get that signature trance inducing melancholic riffing alongside the signature screams of Tim Yatras. Always perfectly in sync with Mitchell Keepin’s dramatic atmospheric and hypnotic songwriting, the band unleashes sheer misery inducing onslaughts with the moody tempos of “A Ravenous Oblivion”.

There is definitely something magical in the water in France as they have a solid wave of talented Metal bands coming front and center. Today’s turn is for Diablation and their superbly polished and engaging Symphonic Black Metal. With “Par Le Feu”, this band gives us …And Oceans-meets-Alghazanth vibes with some Anorexia Nervosa and Limbonic Art splashed in. Featuring seven tracks and nearly 40 minutes of music, this is one hell of a release that no fan of the genre can miss.

Opening with the enigmatic intro “Inferi Ostium”, the band really hits full stride with the crushing “Vox Diaboli” and its waves of punishing guitars paired with hellish screams. The atmospheric keyboards have that magical late 90’s (or early 2000’s) vibe, when they are overpowering, but seamlessly blend into the mix, as we can hear in brilliant songs like “L'unique merveille”, “Au bord du gouffre”, and “Crépuscule doré”. If the vocals sound familiar, is because they are delivered by none other than Vicomte Vampyr Arkames, who used to handle these duties in Seth a while ago.

As one of the most promising and epic Melodic Death Metal bands, Countless Skies has blown us away with their killer full length releases “Glow” and “New Dawn”. With “Resonance”, the band dabbles into the live in the studio recordings territory with great success. Featuring songs from both their full-length releases, this five track EP is just what the doctor ordered to keep the momentum going for this excellent band.

The release opens with “Daybreak” from their “New Dawn” release and they completely nail it. We love how this track sounds slightly different with a higher emphasis on the cello arrangements from Arianna Mahsayeh. The other track from the same release is a shorter version of the Insomnium-esque “Wanderer”, again showcasing their insanely good lead guitars alongside melancholy dripping melodic passages.

Showing their excellent 2019 release, “Sateet palata saavat”, was no fluke, Finland’s Vorna returns with an even more expansive and bombastic release with “Aamunkoi”. The band’s sound is as unique as before, perfectly mixing Folk/Pagan/Black Metal with a hefty dose of atmospheric elements. Featuring over 44 minutes of lush vocal arrangements alongside crafty instrumentation and a solid level of heaviness, this release is quite rich and highly enjoyable.

Opening with “Hiljaisuus ei kestä” a very lush and folky mood is established thanks to a mixture of clean and harsh vocals alongside solid riffing and tight drumming. The band’s melancholic nature starts oozing more profusely as “Harva päättää hyvästeistään”, “Aika pakenee”, and “Valo” come around with their dramatic atmospherics and crafty tempo changes, we even got some Amorphis-esque vibes here and there.

Our favorite Gothic/Symphonic Black Metal miscreants are back, with a new double live release that also features a couple new studio tracks. Nicely separated into older and newer songs per disc, this release is a testament that the band still has plenty of fuel left in their tank while delivering some kick-ass live shows. If you are a diehard fan of the band, this release nicely captures a glimpse of how their, quite elaborate, tracks sound in a live setting.

Opening with the new track “She is a Fire”, is a dreamy piece that continues the bands intensity and lush atmospherics of their previous release “Existence Is Futile”. Since this track is new, this and the other studio songs should feature Zoë Marie Federoff, the band’s newest member on keyboards and backing vocals. The rest of the first disc has plenty of killer live renditions of fan favorites like “Heaven Torn Asunder”, “Nymphentamine”, “Bathory Aria”, and “Desire in Violent Overture.