Trash Metal

Hailing from France, today we have a very interesting EP from an unusual band that has a very fresh sound. Mixing some Thrash Metal influences with Melodic Death Metal elements and Children of Bodom like vocals “Strong Enough” is a short, yet effective release from a band that has great potential.

The first thing that will pop out is the funky sounding keyboards, while they are very good, something just sounds weird about them. This alone will quickly grab you attention and make you interested in the band’s sound. They create nice a atmosphere that sounds very lush, but due to a low production budget they sound a bit too high in the mix. Not that we are complaining, but we just find it a bit odd.

Is nice to finally hear some Black/Thrash Metal that is not trying to sound too ‘oldschool’ or too brutal. Angrepp manages to perfectly Thrashy riffs, Punk-ish rhytms, and powerful vocals, creating a very thick sound that will surely please metal fans since the first couple of minutes of this CD.

The opening song (after the Intro) “Five Horned Formation” wastes no time in establishing that the band’s riff machine is open for serious business. With a very powerful Thrashy opening riff, you will think that you are listening to the new Exodus, or something like that. After the initial impression settles, you will be quickly taken away by the surgically precise drumming that makes your head explode.

It’s been a while since we have heard a band be as effective in 20 minutes as the Drünken Bastards manage to be with “Horns of the Wasted”. With a brutal mixture of Thrash Metal with Punk elements and a few Black Metal hints here and there, the band does a great job in crafting small, concise, and effective songs that will rock you sideways.

Release in the USA on Hell’s Headbandgers, “Horns of the Wasted” is a great blast in the past, when bands where still having fun and freely rocking out tunes that mashed up several genres and they did not give a shit if people liked them or not. The overall Punk influences are very high in this release, and in songs like “Alcoholic Big Tits” the band goes all-out Punk on us. But they quickly regain their Metal-form with their cover of Barbatos “Prophecy of the Evening Star”, a song that sounds extremely Heavy Metal for this album.

Formed in the early nineties, Pro-Pain has been playing their Thrash infused Hardcore since their first release “Foul Taste of Freedom” until now with “Absolute Power”. The band’s style has not changed much over the years and continues to put out solid releases, but we feel that their sound is getting quite old to be honest. “Absolute Power” is yet another one of those good-but-sounds-tired kind of albums that we encounter every month.

Don’t get us wrong, there is nothing bad about “Absolute Power” the album has over ten songs of catchy riffs, solid vocals and powerful drumming. It’s the similarity to their older stuff what bothers us. Even while listening through this album, you will get the ‘I already heard this’ kind of feeling as the songs keep flowing.

Recently we have been bombarded by tons and tons of new Thrash Metal bands and it’s getting close to impossible to find any bands worth listening to. The Prophecy23 is yet another one of those Thrash bands that is aiming for a little piece of the pie. We must say that from the countless submissions we get, there is a great deal of quality behind this German band that we can’t seem to find anywhere else.

With a ‘traditional’ Thrash foundation, The Prophecy23 has pretty solid riffing and overall catchy songwriting that makes them quickly standout from all the uninspired cloned bands. The band does not get stuck in the whole ‘lets sound old-school’ approach and actually proposes some interesting changes in their music.

With the current Thrash revival we have been noticing that many circa 2000 bands have re-surfaced and now they are finally getting deals with higher-profile labels in their attempt to ride the Thrash metal magic pony during the last few years. Suicidal Angels is one of those bands that has been benefited by this revival, but that it also has enough substance in their music to be worth listening to and actually buying their albums.

The band plays old-school Thrash in a commanding manner and if it weren’t for the huge noticeable accent on the vocals we would never have guess they are from Greece. The influences behind this band are countless: old Slayer, Kreator, Possessed, old Sodom, etc. As you can expect you will not find anything original here, but who cares, if it’s well played Thrash metal, we are completely down for it.

Hailing from the Maldives, Serenity Dies is a Trash Metal band that takes its roots form the greats such as Slayer, Megadeath, some Metallica, and a little itty bit of Exodus. “Hacksawcracy” is the band’s latest EP release, and it’s ready to compete with the big stars right off the bench.

Keeping the music fresh, we have the traditional Trash foundations with some more modern grooving riffs and clean vocal harmonies that might put down the purist of the genre, but we think they are very well crafted and mixed into the band’s sound. For almost 30 minutes this up and coming band makes a powerful statement with “Hacksawcracy”.

Today in our huge promo-to-review queue we find Virgin Snatch’s “Act of Grace”, the band’s fourth release since their formation on 2001. Playing a very interesting mixture of Trash Metal with Modern Metal elements, more specifically Groove elements, we find “Act of Grace” a very interesting release… musically. The album is very fresh, sounding more like melodic Metal releases in some parts, since there are plenty of well crafted passages that sound like anything, except Trash Metal.

With a name like Virgin Snatch, we were about to immediately throw this to the queue of Grindcore/’shit we don’t really want to listen’ list, but we decided against it after doing some research on the band. You should not discard them because of this either, since this Polish band is worth a listen.

Today we have yet another old-school Trash Metal band. Fatal Embrace has been around for over 17 years and for some reason has only managed to release 4 albums in their long career. Signed now to Metal Blade records, we image that they are trying to capitalize on the current Trash Metal revival.

The influences presented on “The Empires of Inhumanity” are too many to count, but we can tell you that the band sounds like Kreator, Slayer, Dark Angel, and Sodom. Sounds impressive on paper right?, well… the band has it’s moments but they show no originality or evolution whatsoever. On “The Empires of Inhumanity” we get 11 tracks (plus 1 cover) of well executed old-school Trash that will surely get all the fans of the genre jumping on their seats, but gets old very quickly.

While Hells Headbangers is known for releasing very retro (and good) sounding releases, with Vomitor’s “Devils Poison” they have dropped the ball immensely. This Aussie band had done a great job with “Bleeding the Priest”, a very worthy debut album that gained them well deserved comparisons with Sodom, Celtic Frost and the all mighty Hellhammer. But with “Devils Poison” they sound like they should be heading back to their garage and record a few more demos.

“Devils Poison” is a very chaotic release that has pretty much nothing going for it, the album gets boring right after track number one. We are not complaining about the raw and primitive sound the band has (which is characteristic of the early Sodom, etc albums), but we complain about the lack of creativity and even musicianship behind this release.